Writer and Director Richard Linklater’s new film is something unique. In the vein of some of his earlier works, the setting is a very important character. For Apollo 10 ½, however, history is also a parallel character.
Declassify >“Quincy” perfectly celebrates a living legacy
The Netflix original film Quincy isn’t just a great documentary about Quincy Jones’ prolific music career. It’s a great reminder that, as an icon, Quincy’s reach and the scope of his work went far beyond entertainment and into social justice and the ongoing inspiration of generations.
Whatever you conjure in your mind when you read about Quincy Jones on the page or in this post, is just a fraction of what he has accomplished…
Declassify >The Beatles: Get Back Isn’t 100% For Everyone
Peter Jackson already took on one impossible theatrical endeavour, by bringing the Lord of the Rings to life in live-action. To do so, hard decisions had to be made about what made it in, and while I am still sore about Tom Bombadil not making the cut, I do understand.
With The Beatles: Get Back, Jackson has undertaken a similar task. Fans of Tolkien are as knowledgeable about their passion as Beatles fans are.
Declassify >‘Somewhere You Feel Free’ plants appreciation for Tom Petty and ‘Wildflowers’ album
Tom Petty is iconic with, and that’s without the Heartbreakers or Traveling Wilburys. On his second solo album, 1994’s “Wildflowers,” Petty cemented himself as a legendary singer-songwriter. While he already was an icon to most of us after eight albums with the Heartbreakers and another two with the Wilburys, this removed all doubt.
“Somewhere You Feel Free” is a documentary with some modern interviews peppered in.
Declassify >Meet me at the food court: Jasper Mall examines a dying breed
Jasper Mall is a documentary about where malls are as of 2020. The height of “mall nostalgia” isn’t enough to support the malls, so we’re forced to ask, “Where are they now?” They aren’t nearly what we remember, and unless something changes, they won’t be anything but myth.
There are some real shots at the beginning of this documentary that feel like they belong in a surrealist film. Empty mall. Empty parking lot. Empty sky. These shots, while beautiful, are also haunting.
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