Of all things Geek. I am…
I just finished reading The Kronos Interference by Edward Miller and J.B. Manas and it was great!
The cover touts it as “Crichton meets Hitchcock,” and it lives up to that billing and them sum. It is a fantastical look at time travel, and its implications, while weaving a plot of intrigue that is at times scary and scientifically brilliant, while creating amazing historical anomalies.
Declassify >
From video games to television, science and technology to the spy, and even a glimpse of the fantastic, here are five pieces from deviantArt.com that are simply extraordinary.
Declassify >
Five pieces of art that caught my eye, all in different ways. From the open sea to the desert, from elven paths and their magic to technology and a smurf, yes, there’s a lot of ground to cover in just these five pieces.
Declassify >
Commissioned artist for CBS. Aspiring astronaut. Potential vampire.
There’s a lot to learn about graphic designer Ryan Lynn, as you’ll find in the following interrogation, like how his weekends are spent recharging his batteries and how his day job, at 4O1! Creative, provided him his first foray into the world of Agent Palmer.
Declassify >
The question started to fester after spotting a Tumblr post entitled “Source Code in TV and Films.” It’s a brilliant concept of taking an in-depth look into the code on computer screens in television shows and movies and finding out what it really is.
The lines of code in SwordFish are from a DES cracking program, Nedry’s screen from Jurassic Park appears to be source code for a SGI UNIX machine, the boot up sequence for the Mark I version of the Iron Man suit in Iron Man written to boot up the suit for Tony Stark’s escape is some butchered C code, but does it have to be? Does it have to hold up?
Declassify >