Agent Palmer

I believe Marc Spitz has done a phenomenal job characterizing Mick Jagger in Jagger: Rebel, Rock Star, Rambler, Rogue. And I sincerely mean that.

Taking the myths and legends of Jagger from the Zeitgeist and what I know of him as a fan of his band, I completed my reading with a little more insight into the man and yet it still doesn’t seem to paint the entire picture of Jagger.

I have always been fascinated with Space. I’ve said this before when I wrote about building my LEGO Saturn V rocket, that I had wanted to grow up to be an aerospace engineer. It’s a fascination that has remained despite my educational leanings towards the liberal arts and away from the sciences.

So when I heard that coming this October there would be a movie release called “First Man” a biopic about Neil Armstrong, based on the authorized biography of the same name.

At first, I thought that Fighter would be a fictionalization of the Battle of Britain similar to what Len Deighton had done with the fictional bombing run in Bomber. But I was wrong in the best of ways. It is not a fictional account, but a detailed dissection of one of the turning point air battles of World War II.

It amazes me that Deighton, a master of fiction, wrote such a comprehensive history on the Battle of Britain. A battle, that behind the scenes, was marked by ineptitude, hubris, politics, and more than a few elements of self-sabotage on both sides as to appear, in a vacuum, as more fiction than fact.

Alice Cooper has multiplatinum albums along with a sustained rock career, plenty of newspaper column inches attributed to him, a syndicated radio show, and he’s done countless interviews, but to really get to know him you have to grab your clubs and join him on the golf course.

Second to that, reading his autobiography “Alice Cooper, Golf Monster: A Rock ‘n’ Roller’s 12 Steps to Becoming a Golf Addict” is also a great idea for fans of his music, his vaudevillian shows, or his golf game.

1966’s Blow-Up is the pinnacle of avant-garde filmmaking in the pop art, swinging sixties directed by Michelangelo Antonioni.

Not only is it the story of a mod London photographer who finds something beautiful and sinister in the photographs he has taken of a mysterious beauty in the park, but it is the perspective of the swinging sixties through that photographer’s eyes, as well.