Agent Palmer

There was a time, not that long ago, where aiming an animated movie at an older audience was quite the gamble. This time also overlaps with the period where Disney was still the king of animation for feature length cartoons and everyone else was lucky to even be mentioned…

Not everything is destined to be a hit or even lucky enough to get “cult classic” status. Ralph Bakshi, who I’ve written a lot about, has made a career of smaller independent cartoons targeted at older audiences that all have gained cult status.

There is something equally timeless and out of date about the 2001 film “Antitrust.” Despite this or because of it, the thriller is still interesting to watch and enjoy.

As the fictional tech billionaire in the film, Gary Winston loves to say that things are binary, and this film fits that description. Sure, it is fiction, but at its core there is a discussion that takes place all the time under the surface: when it comes to software, you’re either open source or you’re not.

I saw Rogue One: A Star Wars Story and I wasn’t that impressed. Some people are telling me that it means I’m not a “hardcore” Star Wars fan, but I’m more inclined to think it just means, I won’t be taken with a movie simply because you slap “Star Wars” in the title.

Sure, it had some good parts and it wasn’t a bad film, but it was not one of those movies that I was as energized with as the end credits rolled, as I was when the opening fanfare began.

What makes for a better movie experience than relatable characters and their relationships? To that effect, what makes a better movie than Barry Levinson’s Diner, where there’s a way to find a portion of yourself in each character on the screen.

One other thing that you have in common with the main characters, or should have in common with the boys – Eddie, Shrevie, Boogie, Fenwick, Billy, and Modell – is that they are all kids at heart.