Of all things Geek. I am…
I have two walls in my home devoted to the animation of Ralph Bakshi, designated as my two “Bakshi Walls.” One is in my living room, which consists of three animation pencils from Wizards and the other is in my office, which has two actual animation cels from Wizards, so I guess you could call them my “Wizards” walls.
I’m going to share with you these walls, as they are two of my favorite Geek Spaces.
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His influences were Bob Dylan, Jackson Pollack, Elvis Presley, Superman comic books, beatniks, jazz, Jack Kerouac, and the old school creators of cartooning and animation. This, coupled with the time periods he lived through, gave Ralph Bakshi the perfect storm of a foundation for his beliefs and the perfect medium to tell his stories.
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Thus far in my Rotospective on Ralph Bakshi, I’ve taken a deep look into his films and for all but the first look into Wizards, I discussed the conclusions of those films and their meanings and lessons. The reason being that my first post on Wizards was relatively or arguably spoiler free, unless you’ve seen the film in which case I’m not spoiling anything by ending the post with a [BANG!].
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In February of 2013 Ralph Bakshi launched a Kickstarter campaign to fund “Last Days of Coney Island.” The project to be “an animated cop, mafia, horror movie set in the 1960s in Coney Island, with political overtones both realistic and outrageous” was funded by a very successful and impressive Kickstarter campaign, which garnered the sum of $174,195 from 1,290 backers. Release is slated for 2014.
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Coonskin, produced under the titles Harlem Nights and Coonskin No More… and later released under the titles Bustin’ Out and Street Fight, is a movie that takes a deep look into the race relations of America during the time of it’s release 1975.
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